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I choose beauty as a discipline—painting that speaks quietly and endures.

Paper Boat, 2023, Acrylic on canvas, 75 × 90 cm

Biography

Leah Sanata (b. 1973) creates abstract paintings that change as you watch them. Based in Dubai and working primarily in oil and acrylic, she has developed a distinctive approach that merges architectural discipline with emotional sensitivity. Since 2022, her layered compositions have traveled across Europe, Central Asia, and the Middle East.

Her technical method, gradualism, is disciplined patience made visible. She begins with weeks of meticulous groundwork — pointillist dots, transparent glazes, careful blending. These surfaces take time to cure and breathe. Then come decisive impasto strokes that bring central motifs to life. The result: paintings with subtle depth where color relationships shift as light moves across the canvas. Morning reveals one painting; evening shows another.

Her recent project Embraced by Flowers (2024–2025) investigated femininity through forty paintings of roses, each within an identical 23×23 cm format, exploring an extraordinary range of emotional states from weightless delicacy to gravitational presence. The Archive — her primary ongoing body of work, presented under the exhibition title Art Free of Prejudice — gathers diverse works that stand independently, expanding the range of her practice beyond defined projects.

Embraced by Flowers

2023—2025

Forty roses, each exploring a distinct emotional state. Working within an identical 23×23 cm format between 2024 and 2025, Sanata transforms a familiar subject into concentrated investigations of femininity and presence. Some roses float weightlessly in open space; others carry gravitational intensity. Three works painted with coffee introduce earthiness that contrasts with the clear oil and acrylic pieces. Each painting demands sustained attention — revealing new relationships between color and surface as light conditions shift.

The Archive

2022—present

The Archive — abstract compositions, floral studies, grapes, and large-format investigations spanning from intimate 40×40 cm canvases to expansive pieces. From atmospheric veils to bold color blocks, these works document Sanata's formal evolution outside defined projects. United not by shared motif but by disciplined attention to light, color relationships, and surface texture. Presented under the exhibition title Art Free of Prejudice.